© 2015 by REMBRANDT REMASTERED - NZ Tour. 
 

THE WORK 

The full schedule of paintings...

 

The spectacles seller (‘Sight’)  c. 1624

Museum De Lakenhal, Leiden

Panel; 21 x 17.8 cm

 

Christ driving the money-changers 

from the Temple  c. 1625

The Pushkin State Museum of Fine Arts, Moscow

Panel; 43.1 x 32 cm

 

Musical company   1626

Rijksmuseum, Amsterdam. 

Panel; 63.4 x 47.6 cm

 

Balaam and the ass  1626 

Musée Cognacq-Jay, Paris. 

Panel; 63.2 x 46.5 cm

 

Tobit accusing Anna of stealing the kid  1626

Rijksmuseum, Amsterdam. 

Panel; 40.1 x 29.9 cm

 

The rich man from the parable of the rich fool  1627

Gemäldegalerie, Berlin. 

Panel; 31.7 x 42.5 cm

 

The apostle Paul in prison  1627

Staatsgalerie Stuttgart. 

Panel; 72.8 x 60.2 cm

 

Two old men disputing (Peter and Paul)  1628

National Gallery of Victoria, Melbourne. 

Panel; 72.3 x 59.5 cm

 

Judas repentant returning the pieces of silver   1629

Private collection

Panel; 79 x 102.3 cm

 

Lighting study in the mirror  c. 1628

Rijksmuseum, Amsterdam. 

Panel; 22.6 x 18.7 cm

 

Self-portrait  1629

Metropolitan Museum of Art, New York. 

Panel; 22.2 x 16.6 cm

 

Self-portrait with beret and 

gathered shirt (stilus mediocris) 1630

Nationalmuseum, Stockholm. 

Gilded copper; 15 x 12.2 cm

 

The anatomy lesson of Dr. Nicolaes Tulp  1632

Mauritshuis, The Hague. 

Canvas; 169.5 x 216.5 cm

 

Diana bathing with her nymphs with the stories of Actaeon and Callisto  

c. 1634

Museum Wasserburg, Anholt. 

Canvas; 73.5 x 93.5 cm

 

Christ in the storm on the Lake of Galilee  1633

Whereabouts unknown. 

Canvas; 160 x 128

 

Portrait of a married couple  1633

Whereabouts unknown. 

Canvas; 131,5 x 109 cm

 

The birth of Christ  1646

Alte Pinakothek, München. Canvas; 92 x 71 cm 

 

Copy after Rembrandt’s (lost) 

Circumsision   1646

Herzog Anton Ulrich-Museum, Braunschweig. Canvas;

98 x 71 cm

 

The rising of the cross  1633

Alte Pinakothek, Munich. 

Canvas 95.7 x 72.2 cm

 

Christ and the crucifix   1631

Parish church, Le Mas d’ Agenais.

Canvas, originally on panel; 99.9 x 72.6 cm

 

 

The Descent from the cross  1632/33

Alte Pinakothek, München. 

Spanish cedar panel; 89.6 x 65 cm 

 

The Entombment   1635/39

Alte Pinakothek, München. 

Canvas; 92.6 x 68.9 cm 

 

The Resurrection  1639 

Alte Pinakothek, München. 

Canvas; 92.9 x 67 cm

 

Ascension   1636

Alte Pinakothek, München. 

Canvas; 93 x 68.7 cm 

 

John the Baptist preaching  1634/35

Gemäldegalerie, Berlin. 

Canvas (enlarged stuck on panel); 62.7 x 81.1 cm

 

Rembrandt and pupil

 

Man in oriental costume  c. 1633/1634

Washington National Gallery. 

Canvas (reducid in size); 98 x 74,3 cm

 

Flora  1634

The State Hermitage Museum, St. Petersburg.

Canvas; 125 x 101 cm

 

The Prodigal Son in the tavern  c. 1635

Staatliche Kunstsammlungen, Dresden. 

Canvas; 161 x 131 cm

 

Danae  c. 1636 & 1643 

(before the damage in 1985)

The State Hermitage Museum, St. Petersburg

Canvas (cropped on all sides); 185 x 203 cm

 

The Standard-Bearer  1636

Private collection. 

Canvas; 118.8 cm x 96.8 cm

 

The angel Raphael leaving Tobit and 

his family  1637

Musée du Louvre, Paris. 

Panel; 66 x 52 cm

 

A young woman at her miror   1638 

The State Hermitage Museum, St. Petersburg

Panel (later additions above and below digitally removed);

24.5 x 32.5 cm

 

The risen Christ appearing as a 

gardener to Mary Magdalene  1638

The Royal Collection, London. 

Panel; 61 x 49.5 cm

 

Portrait of Herman Doomer
(companion piece to 208), 1640

The Metropolitan Museum of Art, New York

Panel; 75 x 55.3 cm

 

Portrait of Baertje Martens 

(companion piece to 207)  c. 1640

The State Hermitage Museum, St. Petersburg 

Panel; 75.1 x 55.9 cm

 

Girl in a picture frame  1641 

Royal Castle, Warsaw

Poplar panel; 104 x 76 cm

 

The Company of Captain Frans 

Banning Cocq and lieutenant Willem van Ruytenburch

preparing to march out, known as the Nightwatch  1642

Rijksmuseum, Amsterdam

Canvas; restored version 388.4 x 504.6 cm

 

Sarah waiting for Tobias  c. 1643

National Gallery of Scotland, Edinburgh

Canvas on panel; 81.2 x 67.9 cm

 

 

Girl leaning on a stone window sill  1645

Dulwich Picture Gallery, London

Canvas; 81.6 x 66 cm

 

The Mill

(reconstructed to its hypothetical original size)   

c. 1645/47

The National Gallery, Washington

Original canvas; 87.6 x 105.6 cm

(Reconstruction by Prof. Van de Wetering

102 x 138.5 cm)

 

Winter landscape  1646 

Staatliche Museen, Kassel

Panel; 17 x 23 cm

 

Nocturnal landscape with the rest during

the flight into Egypt  1647

National Gallery of Ireland, Dublin

Panel of tropical wood; 33.8 x 47.8 cm

 

An old man in an armchair  1652

National Gallery, London

Canvas; 111 x 88 cm

 

The Polish Rider    c. 1655

The Frick Collection, New York

Canvas; 116.8 x 134.9 cm

 

Portrait of Jan Six   1654

Six Foundation, Amsterdam

Canvas; 112 x 102 cm

 

Woman at an open half-door   c. 1655

Gemäldegalerie, Berlin

Canvas; 88.5 x 67 cm

 

Jacob blessing the children of Joseph 1656

Gemäldegalerie, Kassel

Canvas; 175 x 210.5 cm

 

Unfinished portrait of a boy  c. 1656

The Norton Simon Museum of Art Pasadena

Canvas; 65 x 56 cm

 

Lightning study with Hendrickje 

Stoffels in a silk gown as a model  

c. 1659

Städelscheskunstinstitu Kunstinstitt

(on loan from the BRD) , Frankfurt

Panel; 72.5 x 51.5 cm.

 

Self-portrait with beret and raised collar 

1657/59

National Gallery of Scotland, Edinburgh

Canvas; 50 x 42.5 cm

 

Titus van Rijn smiling  1660

The Baltimore Museum of Art, Baltimore

Canvas 81.3 x 68.7 cm

 

Portrait of the Syndics of the 

Amsterdam Clothmakers’ guild,

known as  the Staalmeesters   1662

Rijksmuseum, Amsterdam

Canvas; 191.5 x 279 cm

 

The Jewish Bride  c. 1665

Rijksmuseum, Amsterdam

Canvas; 121.5 x 166.5 cm

 

Family portrait  c. 1665

Herzog Anton Ulrich-Museum, Braunschweig

Canvas; 126 x 167 cm

 

Self-portrait with two circles  

c. 1665/69

Kenwood House, The Iveagh Bequest, London

Canvas; 114.3 x 94 cm

 

Rembrandt’s last self-portrait  1669

Mauritshuis, The Hague 

Canvas; 63.5 x 57.8 cm

 

Simeon’s song of praise  c. 1669

Nationalmuseum, Stockholm

Canvas; 98.5 x 79.5 cm